Guide Selected piano works No. 5 - Concerto - Piano

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Johann Philipp Christian Schulz, conductor. During the classical period, the concerto for piano existed almost solely as a virtuoso display piece for composer-pianists. This is not meant to imply that they lacked musical substance. In the hands of a good composer, a concerto displaying technique could also be a significant musical creation. The concertos of Mozart, who was drawn to Vienna by the prospect of supporting himself as a piano soloist, certainly fall into this category. The last two, however, function less as purely virtuoso displays and more as vehicles for the loftiest musical ideas.

Though they are extraordinarily demanding for the soloist, they leave the listener with the overall impression that the music, rather than the technical display, is all-important. The first movement begins with the intense statement of an E-flat chord, harking back to the opening chords of the Eroica Symphony. There follows an extensive written-out cadenza punctuated by more chords in the orchestra. At the end of the first movement, the traditional cadenza is written out instead of improvised, clearly a case of the composer wanting to exert total control over the work.

Contredanse in E-flat VI. Contredanse in C VII. Contredanse in C IX. Piano Concerto in F. Libertango with Lucille Chung. June 13 — Temple Beth El Mozart: June 14 — Kirk in the Hills Debussy: Trio with Ani Kavafian and Robert deMaine. June 15 — Kirk in the Hills Beethoven: June 17 — Detroit Institute of Arts Beethoven: July 2 — Busoni: Trio with Augustin Hadelich and Efe Baltacigil.

July 5 — Beethoven: Sonata for flute and piano, FP Maurice Ravel: Allegretto innocente 7'25 05 II. Allegro 8'31 07 II. Andante con espressione 8'52 09 II. Moderato 6'56 11 II. Larghetto 4'32 12 III. Andante con espressione 7'22 14 II. Allegro 10'34 02 II. Adagio cantabile 8'04 03 III. Allegro 11'40 05 II. Adagio 5'18 06 III.


  1. Near-Field Optics: Theory, Instrumentation, and Applications!
  2. Piano Concerto No. 5 (Beethoven) - Wikipedia!
  3. Piano Concerto No.5, Op.73 (Beethoven, Ludwig van).
  4. Piano Concerto No. 5 (Saint-Saëns) - Wikipedia.

Andante 3'52 08 II. Allegro 8'02 10 II. Adagio 6'00 11 III. Allegro 5'00 02 II. Allegro moderato 9'00 05 II. Moderato 8'16 08 II. Adagio 5'08 09 III. Moderato 10'15 11 II. Allegro 8'22 13 II. Adagio 5'01 14 III.

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Tveitt - Piano Concerto No.5

Adagio 6'18 02 III. Moderato 7'14 04 II. Allegretto 2'40 05 III. Allegretto moderato 7'30 07 II. Tempo di Menuet 3'12 08 III. Allegro moderato 12'31 10 II. Adagio 9'42 11 III. Moderato 8'49 02 II. Menuetto - Trio 2'05 03 III. Allegro 8'15 05 II. Adagio 7'53 06 III. Allegro moderato 8'07 08 II.

Andante 6'08 09 III. Adagio 6'41 12 III. Allegro 7'12 02 II. Adagio 3'32 03 III.


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  • Moderato 8'49 05 II. Allegro moderato 8'33 07 II. Menuet al rovescio - Trio al rovescio 2'21 08 III. Moderato 11'52 10 II. Andante con moto 7'29 11 III. Moderato 9'16 04 II.

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    Andante 8'15 05 III. Moderato 10'43 07 II: Andante 12'08 08 III: Allegro 2'10 02 II. Menuet 0'56 03 III. Andante 1'02 04 IV. Allegro moderato 1'05 06 II. Allegro 2'02 09 II. Allegro 3'25 12 II. Presto 1'23 15 II. Andante 4'21 16 III. Moderato 3'10 18 II. Moderato 3'42 21 II. Menuet 0'52 22 III. Allegro 5'54 24 II.

    Moderato 5'13 27 II. Allegro 2'50 02 II. Adagio 2'50 03 III. Moderato 6'34 05 II. Largo 4'54 06 III. Andante 4'24 08 II. Allegro 5'41 11 II. Adagio 2'58 13 IV. Allegretto 4'15 15 II. Andante 5'24 16 III. Moderato 4'26 18 II. Allegro moderato 6'36 02 II.

    Moderato 7'25 05 II. Andante 4'20 06 III. Allegro 8'22 08 II. Adagio 4'22 10 II. Allegro 5'00 11 III. Allegro moderato 7'04 13 II. Pater, dimitte illis quia nesciunt quid faciunt 6'33 03 Sonata II. Deus meus, Deus meus et quid dereliquisti me? Sitio 8'23 07 Sonata VI. Consummatum est 7'48 08 Sonata VII. Vivace 7'06 02 II. Un poco adagio 5'07 03 III. Allegro 9'10 05 II.

    Largo cantabile 5'56 06 III. Allegro moderato 8'31 08 II. Adagio molto 7'29 09 III. Allegro 8'20 11 II. Adagio 6'04 12 III. Vivace 6'55 02 II. Adagio 8'43 03 III. Allegro moderato 6'57 05 II. Andante con variazioni 8'48 06 III. Allegro 13'42 02 II. Adagio 8'30 03 III. Molto allegro con fuoco 6'58 05 II.

    Piano Concerto No.5, W521 (Villa-Lobos, Heitor)

    Andante 5'54 06 III. Allegro appassionato 8'53 08 II. Adagio - Molto sostenuto 5'39 09 III. Allegro 17'05 02 II. Adagio 8'00 03 III. E major, Andante con moto 2'35 02 II. A minor, Andante espressivo 2'18 03 III. A major, Moderato 1'52 05 V. F sharp minor, Piano agitato 2'34 06 VI. E flat major, Andante espressivo 3'34 08 II. B flat minor, Allegro di molto 1'50 09 III.

    E major, Adagio non troppo 1'43 10 IV. B minor, Agitato e con fuoco 2'30 11 V. D major, Andante grazioso 2'39 12 VI.

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    E flat major, Con moto 2'00 14 II. C minor, Allegro non troppo 1'54 15 III. E major, Presto e molto vivace 1'51 16 IV.

    Piano Concerto No. 5 in E-flat major “Emperor”, op. 73

    A major, Andante 2'12 17 V. A minor, Agitato 2'08 18 VI. A flat major, Andante con moto 2'43 20 II. E flat major, Allegro non troppo 2'25 21 III. G minor, Presto agitato 2'17 22 IV. F major, Adagio 2'03 23 V. A minor, Allegro con fuoco, 'Volkslied' 2'36 24 VI. A minor, Andante, early version of Op. G major, Andante espressivo 2'00 02 II. B flat major, Allegro con fuoco 1'44 03 III. E minor, Andante maestoso 'Trauermarsch' 2'47 04 IV. G major, Allegro con anima 1'30 05 V.

    E flat major, Andante 2'31 08 II. F sharp minor, Allegro leggiero 1'42 09 III. B flat major, Andante tranquillo 2'26 10 IV. C major, Presto 'Spinnerlied' 1'45 11 V. B minor, Moderato 2'12 12 VI. F major, Andante espressivo 2'30 14 II. A minor, Allegro agitato 0'58 15 III. E flat major, Presto 2'10 16 IV. D major, Andante sostenuto 2'28 17 V. A major, Allegretto 1'52 18 VI. E minor, Andante un poco agitato 2'50 20 II. D major, Adagio 2'16 21 III. G minor, Andante, un poco agitato 2'02 23 V. G major, Allegro non troppo 1'05 31 II.

    E flat major, Andante sostenuto 1'48 32 III. G major, Allegretto 0'55 33 IV. D major, Andante con moto 1'22 34 V. G minor, Allegro assai 1'46 35 VI. Andante con moto 1'04 02 Variation 1 0'29 03 Variation2 0'29 04 Variation 3. Piu vivace 0'29 05 Variation 4.

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    Allegro con fuoco 0'37 06 Variation 5. L'istesso tempo 0'41 07 Variation 6. L'istesso tempo 0'28 08 Variation 7. Presto ed agitato 1'22 09 Variation 8. Tempo primo - Coda. Piu animato 2'53 Sonata No. Allegro vivace 11'28 11 II. Andante 5'02 12 III. Allegro assai 5'54 13 Romance sans Paroles in D major, Op. Allegro assai vivace 7'11 16 II. Allegretto scherzando 4'55 17 III. Adagio 4'15 18 IV. Molto Allegro con fuoco 7'16 03 II. Andante 4'56 04 III. Allegro appassionato 9'05 07 II.

    Molto sostenuto 5'36 08 III.