Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House.
At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.monitoring.devops.indosystem.com/map55.php
The Swan River Press
The Fisherman by John Langan. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping. A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?
The Strange Library by Haruki Murakami. The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written. Designed by Chip Kidd and fully illustrated, in full color, throughout, this small format, 96 page volume is a treat for book lovers of all ages.
Also available in Audio and eBook Overdrive. Borne by Jeff VanderMeer.
Area X comes a story about two humans, and two creatures. The humans are Rachel and Wick - a scavenger and a drug dealer - both with too many secrets and fears, ready with traps to be set and sprung. The creatures are Mord and Borne - animal, perhaps plant, maybe company discard, biotech, cruel experiment, dinner, deity, or source of spare parts. Also available in eBook Overdrive and eAudio Overdrive.
Weird fiction anthologies will give you the opportunity to sample the work of various weird fiction authors and see what most interests you. The Year's Best Weird Fiction: Volume One edited by Laird Barron. Acclaimed author and editor Laird Barron, one of weird fiction's brightest exponents, brings his expert eye and editorial sense to the inaugural volume of the Year's Best Weird Fiction. Jeff Vandermeer, author of the bestselling Area X Trilogy which is being adapted to film in and editor of numerous Weird Fiction anthologies, describes what makes Weird Fiction a genre that is greater than the sum of its parts:.
An Introduction - Weird Fiction Review. In its purest forms, The Weird has eschewed fixed tropes of the supernatural like zombies, vampires, and werewolves, and the instant archetypal associations these tropes bring with them. The most unique examples of The Weird instead largely chose paths less trodden and went to places less visited, bringing back reports that still seem fresh and innovative today. The Weird is also darkly democratic: Authenticity in The Weird, increasingly throughout the twentieth century, also meant stories that, even if just subtextually, engaged the problems of modern life, and more so than past supernatural fiction at times engaged with the extremes of that life, including the horrors of war.
Similarly, influences on The Weird in the twentieth century, streams of fiction that fed into its watershed, included many traditions, including Surrealism, Symbolism, Decadent Literature, the New Wave, and the more esoteric strains of the Gothic.
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None of these influencers truly defined The Weird, but, assimilated into the aquifer along with Lovecraftian and Kafkaesque approaches, changed the composition of this form of fiction forever. The Lovecraft Circle is represented in the early pages of this volume, but not to the exclusion of all else. These non-Anglo versions of The Weird were not aberrations. Marion Crawford, in very different ways, helped usher in the modern era of The Weird: Some were shot or sent to death camps during times of war.
Too many committed suicide, sometimes driven there by an impulse closely tied to the unique nature of their creativity. What all of these writers, and the writers who would come after them shared was some element of the visionary in their writing, some impulse or worldview that catapulted them beyond the every-day. In either instance, subtle or bold, The Weird acknowledges that our search for understanding about worlds beyond our own cannot always be found in science or religion and thus becomes an alternative path for exploration of the numinous.
Did these writers believe in the supernatural elements they described? In some cases, the evidence would suggest, yes. In the majority, the impulse to entertain combined with the impulse to remind readers of the strangeness of the world and the limits of our understanding of it. Many of these stories hold up to repeated readings for this reason. Women writers entering The Weird in the U. In the s, the British New Wave created an opposite and equally useful renovation to that exemplified by Bloch and Bradbury by mixing the best of SF and fantasy with mainstream and experimental influences, some of which also referenced the Decadents and Surrealists.
Out of this period came such giants as Michael Moorcock whose work only peripherally touched on weird fiction , M. John Harrison the most significant twentieth-century critic of the weird tale through his fiction , and J. Ballard whose surreal SF often reads like weird fiction.
Outside of the U. In France, Claude Seignolle repurposed French folktales to create elegant and sophisticated supernatural stories. During the s and s, two important and eccentric works of weird fiction bloomed like strange orchids feeding on rich, rare soil. Bernanos managed in just this one cult classic to combine the traditions exemplified by Jean Ray and Algernon Blackwood with his own brand of surreal existentialism.
In the s, the utterly original U. The rise of female writers outside of genres like Gothic fiction including the traditional ghost story starting in the s also influenced The Weird, as it did many other forms of fantastical fiction. Several of these writers wrote weird fiction, even if they did not self-identify as writers of The Weird.
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Their diversity of approaches, taking in every possible influence, would enrich non-realistic literature for decade to come. Klein and Karl Edward Wagner also contributed to American horror, riffing off of their wide knowledge of weird fiction. As importantly, American Thomas Ligotti would begin to publish dozens of stories that could be considered classics of weird fiction, taking his place alongside Kafka and Lovecraft as one of the most gifted weird short story writers of the twentieth century.
- conventions - The role of the supernatural in hard science fiction - Writing Stack Exchange.
- Legacy by Design: Succession Planning for Agribusiness Owners.
- Wanderer, The!
- The Differentiated Instruction Book of Lists (J-B Ed: Reach and Teach).
- The Weird: An Introduction.
Yet one byproduct of this new emphasis on naturalistic horror was an estrangement from the weird tale. By the early s U. Influential writers like Peter Straub tended to reserve The Weird for novel-length works. However, even as the U.