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On the drive to Berlin, they pull over for a 'rest stop'. But Fallada refuses to get out. He knows if he does they'll shoot him for resisting arrest. He refuses to get out of the car, and the brownshirts start pulling him by the legs when Fallada's doctor happens to drive by. Fallada explains he's arrested and the doctor offers condolences, waves goodbye but doesn't leave. The Brownshirts realize they can't shoot him now with a witness here, so they take him to prison after all. Fallada's publisher still has some clout, gets him a lawyer and gets him out of jail, but the old Nazi tenants get to keep the house.

Fallada's pissed, but the lawyer explains that you just can't bring a lawsuit against a party member. There's some funny business in the jail, too, with guards who belong to different factions who let him play cards with other prisoners as long as he doesn't tell the other faction who are also letting him out to play cards. Also check out this story on the book's publication history: He died in the late 's and at least one more book, "Every Man Dies Alone", was written and published after the war ended and before his early death. I was quite interested in this latest book, "A St "Hans Fallada" was the pen name for German author Rudolf Ditzen, and it is under that name that Ditzen wrote several successful novels published in Germany during the 's and 's.

The Prison Diary". Hans Fallada did not leave Germany when the Nazis came to power in , as had so many other writers, scientists, actors, painters, etc. He was not Jewish but he did have a visceral hatred of the Hitler regime. He went, instead, on an "inward migration"; staying in Germany but keeping a low profile.

In some ways he went along with the German government policies, but he often went against the letters-of-the-law and was considered a subversive by some government agencies. He was imprisoned on several occasions and had spent time in mental institutions. This "prison" diary was actually written in fall while confined to another mental institution after a physical altercation with his ex-wife.

He was given paper and he did indeed write a novel, "The Drinker", but he also wrote in tiny script, a sort of free-flowing "personal statement". He begins with the Nazi coming-to-power and how his life was affected. He and his family settled outside of Berlin and he was imprisoned for a few?


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He was sprung from jail but he was monitored off-and-on til He and his family eventually went to settle in a small town in the German countryside, where he continued to write and keep quiet, while getting into spats with town officials. Fallada wrote about his relationship with his publisher and other writers.

He says he's "philo-semitic", but he did write some very negative statements about Jews he had known. The "afterward" in the book says these were actually "toned down" when the diary was translated and published. He seemed to pick fights with a lot of people in his life, and was both a drinker and a taker of drugs. I assume he had a very "difficult" personality and was probably difficult to live with. But, geniuses often are.


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  6. This diary seems to have been written as a rebuttal to those artists who had emigrated, rather than stay behind and take an "inward migration". Their way was the "easy" way out while he, Fallada, stayed and "fought" the Nazi regime. After reading several book about those Germans who did flee, I don't think their lives in exile were particularly easy. Hans Fallada died in at the age of His writings faded a bit into obscurity after being rediscovered and reissued 40 or so years later.

    He was a brilliant writer who lived a difficult life. This book is a must-read for anyone truly interested in Hans Fallada; for the casual reader it's a pass This books serves as some sort of apology for that decision. It also gives F the opportunity to sneer at the emigrants who are full of moral advise from the safety of their refuge while he takes a risk for prison or worse by simply staying in Germany.

    Indeed, it's an apology and not misplaced as F himself collaborated with the Nazis in a way. Some of the facts Fallada mentions are not exactly historically correct but I guess doing research while in prison is not very obvious. My edition has some end and footnotes that make this an even more interesting read. The way Thomas Mann criticizes the 'inner emigration' for example, puts this book in a completely different perspective.

    In meinem fremden Land: Gefängnistagebuch by Hans Fallada

    The bits about the dreams, at the very end, got on my nerves but apart from that it's a damn nice book! An interesting view of Hans Fallada's experiences in Nazi Germany, including how he was considered an "undesirable writer" by the Nazis, faced a great deal of trouble from this and minor scuffles with Party members, and how his work was affected over the years. That said, this book would probably only be of interest to someone who has read at least some of Fallada's work, and is curious about him as a person as well as a writer. It gives a glimpse into how he crafted his stories and characters, s An interesting view of Hans Fallada's experiences in Nazi Germany, including how he was considered an "undesirable writer" by the Nazis, faced a great deal of trouble from this and minor scuffles with Party members, and how his work was affected over the years.

    It gives a glimpse into how he crafted his stories and characters, sometimes borrowing from real life. But it also shows the fallibility of human memory and what motivates us, as the editors note the inaccuracies and adjustments Fallada made as he wrote and later edited this diary. Recommended by The Economist: German intellectuals in the s faced a painful choice between exile and danger. Hans Fallada chose to stay. Those words were scribbled in a psychiatric prison in , in tiny and all but illegible handwriting in a secret diary.

    The result is one of the most powerful accounts of life in the Third Reich. Also recommended is his book "Al Recommended by The Economist: Also recommended is his book "Alone in Berlin. Aug 28, Danny Mulheron rated it really liked it. If anyone wants a real introduction to that time and place this is the book. The Nazi's are reduced from uber mensch in uniforms to spiteful and malicious neighbours and opportunistic bureaucrats. The sheer mediocrity of Fallada's persecutors is astounding, anyone with a genuine character however flawed is a threat. The Third Reich condensed into a far flung outpost with only one exit.

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    This book, more than any I have read, puts the Nazi's in close up perspective, and they are as familiar and sub If anyone wants a real introduction to that time and place this is the book. This book, more than any I have read, puts the Nazi's in close up perspective, and they are as familiar and suburban as our own neighbourhood. Aug 22, Anat Levi rated it really liked it. An important book to read. Gives an insight to the everyday life of german citizens in nazi germany. The book is built from little details and incidents which all together give an idea of the psychological processes motivating people in those dark years.

    Incredibly interesting - but recommend this unpolished diary is only read after enjoying Fallada's masterpiece Alone in Berlin, and The Drinker. Een goed verslag waar de Duitse schrijver Fallada mee worstelde gedurende de tijd rondom de tweede Wereldoorlog. Aug 03, Jmulderg rated it really liked it. Verslag geschreven in de gevangenis over de periode net voor de tweede wereld oorlog met het nasi regime. Nik Berkouwer rated it liked it Apr 26, Richard Bolson rated it it was amazing May 06, Laura Eilers rated it really liked it Jul 23, Sander Louwerse rated it really liked it Mar 16, There are no discussion topics on this book yet.

    His novel, Little Man, What Now? Fallada's pseudonym derives from a combination of characters found in the Grimm fairy tales: He was the child of a magistrate on his way to becoming a supreme court judge and a mother from a middle-class background, both of whom shared an enthusiasm for music and to a lesser extent, literature.

    Jenny Williams notes in her biography, More Lives than One that Fallada's father would often read aloud to his children the works authors including Shakespeare and Schiller Williams, 5. In when Fallada was 6, his father relocated the family to Berlin following the first of several promotions he would receive. Fallada had a very difficult time upon first entering school in As a result, he immersed himself in books, eschewing literature more in line with his age for authors including Flaubert, Dostoyevsky, and Dickens. In the family relocated to Leipzig following his father's appointment to the Imperial Supreme Court.

    A rather severe road accident in he was run over by a horse-drawn cart, then kicked in the face by the horse and the contraction of typhoid in seem to mark a turning point in Fallada's life and the end of his relatively care-free youth. His adolescent years were characterized by increasing isolation and self-doubt, compounded by the lingering effects of these ailments.

    In addition, his life-long drug problems were born of the pain-killing medications he was taking as the result of his injuries. These issues manifested themselves in multiple suicide attempts.

    In meinem fremden Land: Gefängnistagebuch 1944

    In he made a pact with his close friend, Hanns Dietrich, to stage a duel to mask their suicides, feeling that the duel would be seen as more honorable. Because of both boys' inexperience with weapons, it was a bungled affair. Dietrich missed Fallada, but Fallada did not miss Dietrich, killing him.

    Wiederholdt was a lieutenant in the Hessian regiment under Johann Gottlieb Rall at the time of writing of the diary, and later a captain in the regiment under Baron Wilhelm von Knyphausen; he died in Kassel around f. The copy of his diary includes copies of 18 color illustrations, including 5 drawings of ships, 11 maps related to military operations, and 2 different versions of a chart of flag signals. A note written in a different hand at the end of the Wiederholdt diary f.

    Of the accompanying copies, most appear to be in the same hand as the copy of the Wiederholdt diary, but a few miscellaneous items f.

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    The Recknagel diary pertains to the Battle of Rhode Island in the summer of ; and to the departure of Hessian troops from New York to Kassel in fall to spring It includes 1 colored diagram across a 2-page spread f. Of the 2 original documents, one is a diary of an unidentified German soldier dated 18 May to 29 June f.

    Peter likes having Heidi to himself and is jealous when Klara comes to visit. As a result he destroys her wheelchair by furtively pushing it headlong down the mountain. Afterwards he is racked with guilt at what he has done, though no one knows who did it. When Herr Sesemann arrives in the village, Peter imagines he is the policeman come from Frankfurt to apprehend him, and he is terrified. However, Grandmamma Sesemann, insightful and sympathetic towards children as always, immediately realizes that Peter has punished himself quite enough with anxiety and guilt and needs reassurance rather than any further punishment from outside.

    Peter demonstrates his simplicity of heart by asking only for the smallest sum of money, and Frau Sesemann is the very embodiment of mercy in making this sum what Peter gets every week for a whole year. She is a child of nature, spontaneous, kind and thoughtful. She blossoms under the care of her grandfather, who respects her abilities and choices and allows her freedom to develop.

    In the hands of another writer Heidi might well have been portrayed as a sentimental and unbelievable example of Christian goodness, but Spyri avoids this trap by making her into a fully rounded figure. But she is human and has her limitations. In Frankfurt and middle-class society Heidi wilts and becomes sad and depressed. Gaiety and spontaneity are gradually squeezed out of her so that she becomes emotionally as weak as Klara is physically.

    Admittedly Bad Ragaz provides Dete with a job as a chambermaid, but to get something economically more worthwhile she has to travel as far afield as Frankfurt, and that is where Heidi later has to follow her. The great city provides wealth, but not health. In the city Klara is an invalid and Heidi becomes emotionally and physically debilitated. Both recover in the pure air of the mountains of eastern Switzerland. Switzerland had opened up to a wider range of visitors with the extension of the railway system, and the enjoyment of an unpolluted environment was increasingly sought by those who were making their money in the expanding cities of the Industrial Revolution.

    Germany, Belgium and France provided a multitude of spas that promoted this quest for health, but Switzerland added a grander landscape, a large number of picturesque lakes and the thrill of the mountains for climbing, walking and breathing pure air. There had been travel books aplenty up to this time, most catering to an adult readership, but C. Rivington published Travels in Switzerland in a format suitable for children as early as Every book on Switzerland mentioned its national hero, William Tell, and his story was immensely popular with children.

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    Other versions of the Tell story were published throughout the nineteenth century, reworking the traditional material in a variety of ways and focussing attention on the Forest Cantons, the ancient core of the Swiss Federation. Alongside the Tell story the idea of Switzerland was alive to British children through the protagonists of that most popular adventure story, The Swiss Family Robinson , first published in , but printed in a large variety of formats and editions from then until the present day.

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    The Swiss Family Robinson was not about Switzerland, of course, but it formed part of the awareness of Switzerland and Swiss history in nineteenth-century Britain. When Heidi was first published in English, rural Switzerland became visually and emotionally alive to new generations of child readers, especially girls. The first, by Louise Brooks, was issued in two volumes with the titles Heidi: Her Years of Wandering and Learning and Heidi: How she Used what she Learned , corresponding to those of the German Boston: Fifteen years later a second American translation was published, this time by Helen B.

    Further translations were made by H. Burt, [], and Springfield, Massachusetts: The number of different translations and publishers involved shows what a commercial proposition Heidi was in the English-speaking world in the period before the First World War, and its popularity has not waned since then.

    All five stories are set in the German Swiss Alps and focus on children below the age of ten. They are suffused with a similar piety to that we have encountered in many earlier books, but it is more marked than in Heidi. While all the stories end happily, they show a side of Alpine life that is hard and rugged. There a lady from Geneva who has lost a son befriends him and helps him to do what he has always wanted — train to become a wood-carver.