Fantasia in D minor, K385g (K397) Sheet Music by Wolfgang Amadeus Mozart
Lonquich's repertoire ranges from the classical period to contemporary music. He remains committed to the music of Mozart, making regular appearances at Salzburg's Mozart Week celebrations.
- Mozart Fantasia In D Minor Sheet Music.
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As for his chamber music work, Lonquich's partners have included violinist Christian Tetzlaff, violist Veronika Hagen, the Auryn Quartet to name just a few, and he's performed with soprano Ruth Ziesak as well. He has continued to expand his endeavors and career, branching out into the role of conductor in the late s. He is frequently heard as both the soloist and conductor in Mozart's concertos with chamber orchestras in Austria and Italy, filling out the concert programs with orchestral works, and he has also conducted other pianists in concerto performances.
Originally scanned at dpi grayscale, converted to dpi monochrome. Fantasias and Rondos for the Piano pp.
Unidentified Publisher , n. He is perceptive in all he says about the Mozart fragments, their likely date and purpose and the way they have been treated by Goldstone for presentation here. The only additional information I would have welcomed is of the printed or even manuscript sources of some of the more recondite pieces.
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The playing is unfailingly thoughtful, undemonstrative, observant of the varying stylistic demands. Tempos are convincingly chosen, though in rapid movements passages with the smallest note values are sometimes smudged. Slow movements are poised, by turns lyrical, poignant or more dramatic, and the music in dance meters is neatly phrased. The recordings, which were made in a church acoustic, entirely lack the often encountered drawbacks of such a location; the sound is fresh, clear and free of the excessive resonance familiar from numerous recordings made in empty churches.
Alexander Lonquich - Fantasia in D minor K/Kg | Play for free on Anghami
This is a fascinating and significant issue. Unheard, of course, until now. Reflecting on that old adage that if it walks like a duck etc. Until we enter the great beyond and have a direct opportunity of speaking with the composer through a universal translator we will never know how close Goldstone has come to what Mozart actually wanted.
- Alexander Lonquich - Fantasia in D minor K/Kg - Listen on Deezer.
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For the time being, these are pretty good, stylistically correct, and will make sense to any but the most priggish Mozart enthusiasts. The scholarly notes by Mozart style authority Julian Rushton puts each piece realized, completed, and performed by Goldstone in context. Lacking the time to study the fragments and sketches in the Neue Mozart Ausgabe, I can only take Rushton at his word. Whether my compositional skills would have brought forth the same results as Goldstone's can only be determined by travelling the 30 miles to a university that has the NMA.